#Davinci resolve film emulation movie
“We didn’t want the movie to look like it had any kind of color or density wash on it,” added Moorhead. The nodal flow started with a small blur on the entire image, which softened the harder edges, emulsified the mixed media and helped the film grain, added later, look more natural. Moorhead combined DaVinci Resolve with OFX plugin Dehancer Film Emulation for DaVinci Resolve to create the visual style for “Something in the Dirt.” Instead they committed to developing the look in post, leaning on the idea of creating a throwback look similar to one they had developed from a previous film. With the wide variation of footage, Benson and Moorhead knew they needed a unifying look but couldn’t settle on something prior to shooting. “We find that degrading the footage is instinctually a great way to mold our films into a single experience, especially if we have as much mixed media as this film does.” “We tried to develop a look beforehand, something akin to our other films, such as ‘The Endless,’ but we always wanted to push it further,” continued Moorhead.
The film was no straightforward shoot itself, using a combination of traditional cinematography combined with stock footage and original footage shot with a wide variety of video and digital cameras, including cell phone and security camera footage. I used a ton of programs in my job as an indie filmmaker and Resolve is by far the smartest application I’ve ever used.” “That’s not a pat on my back, it’s a testament to the unbelievably friendly engineering of Resolve. “I brushed up on DaVinci Resolve in about a week of watching and trying online tutorials, and I felt confident with the program as I dove in,” he said. While not identifying as a colorist, Moorhead was trained as one earlier in his career, and felt confident he could grade the film. ‘Something in the Dirt’ is essentially an omnibus film of all our wildest ideas of a ‘haunting’ that we dug up from that graveyard.” “They would ask us to give our strangest, wildest, most left of center ideas, which in the end was usually too left of center for them. “For years we have been asked to pitch on maybe a dozen different haunted house franchises,” said Moorhead. Directed by and starring Aaron Moorhead and Justin Benson, the film is a testament to Moorhead and Benson’s friendship as well as their passion for unique, out of the box stories.īoth Benson and Moorhead are no strangers to directing, having each served in that role on a wide range of projects, including episodes of both Disney’s “Moon Knight” as well as Netflix’ “Archive 81.” But when it came to developing an idea for a unique feature, the two simply recalled some of the pitches they had offered to other studios. An ever deeper, darker rabbit hole, their friendship frays as they uncover the dangers of the phenomena, the city and each other. When neighbors John and Levi witness supernatural events in their Los Angeles apartment building, they realize documenting the paranormal could inject some fame and fortune into their wasted lives. Fremont, CA, USA – Friday, Janu– Blackmagic Design today announced that the acclaimed independent feature film “Something in the Dirt,” which was nominated for the NEXT Innovator Award at the 2022 Sundance Film Festival, was graded in DaVinci Resolve Studio editing, grading, visual effects (VFX) and audio post production software.
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